An analysis of the raw material of the traces of the presence of Dutch soldiers in the «UN Safe Area Srebrenica» twenty-five years later. What traces did the Dutch soldiers leave behind? How is the culture of the Dutch military doctrine understood by the people who later left their traces in their military base in Srebrenica?

Anna Dasović studied photography. Her method involves archival and bibliographic research, fieldwork and interviews. Central to her work is an exploration of the figure of the spectator. She has exhibited in the Stedelijk Museum (Amsterdam), Van Abbemuseum (Eindhoven), Württembergischer Kunstverein Stuttgart, Bergen Assembly (Norway), Museum of Modern and Contemporary Art (Algiers) and many other venues.
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